As F1: The Movie, directed by Joseph Kosinski and starring Brad Pitt, prepares for its theatrical release on June 27, 2025, the early reviews have roared onto the scene like a nine-out-of-ten Qualifying lap — delivering impressive speed, style, and precision. Critics have responded enthusiastically, and the film is already “Certified Fresh” on Rotten Tomatoes with an 88 % approval rating, signaling strong momentum ahead of global release.
Rotten Tomatoes: A Resounding Green Flag
The 88 % “Certified Fresh” rating on Rotten Tomatoes was arrived at swiftly — this high praise typifies early reactions from press screenings. One critic from Motorsport.com noted:
“An 88 % Rotten Tomatoes score has set the upcoming ‘F1’ movie on a path to success ahead of its release.”
Although other outlets reported slightly lower figures (around 78–80 %), the general consensus is undeniable: the film exceeds expectations and wins over critics.
Critic Consensus & Praise
Many critics have applauded the film’s cinematic execution and thrilling energy:
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Austin Burke (Rotten Tomatoes) wrote:
“F1 The Movie delivers in every way. This high-octane racing epic is a pulse‑racing spectacle from start to finish. The outstanding sound design, electrifying score, and heartfelt story combine to make it THE must‑see movie of the summer.”
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Maude Garrett (Nerdist) added:
“F1 The Movie is so freaking good. It has all the adrenaline, heart, pacing, story and character that completely fleshes out this movie into excellence.”
Other voices joined the chorus:
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Scott Menzel, writing for Indiatimes, praised its direction and Brad Pitt’s performance:
“Joseph Kosinski directs the hell out of this thing with some of the most impressive racing scenes I’ve ever seen on the big screen.”
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Ryan McQuade (Critics’ Choice Awards) labeled it:
“One of the best films of the year and one of the best blockbusters of the last twenty years.”
Collectively, these reviews highlight the film’s blend of cinematic spectacle, emotional resonance, and star power — all driven by Hans Zimmer’s score, realistic car sequences, and authentic cameos from F1 superstars.
What This Means for F1
The critical acclaim for F1: The Movie isn’t just box-office bait—it’s built to amplify Formula 1’s global reach. The presence of Hollywood and F1 legends blended seamlessly has the sport well-positioned to gain new, younger fans:
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The Guardian noted the production was “embedded within the sport as its 11th team,” offering an unprecedented level of authenticity.
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F1 CEO Stefano Domenicali previously remarked that this film “will be massive” in reaching audiences beyond the sport’s core .
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Apple SVP Eddy Cue reported that after screenings, every single attendee wanted to watch an actual F1 race afterward — distinct proof of the crossover effect.
Blockbuster Appeal Meets Racing Roots
There’s a carefully calibrated balance between Hollywood flair and racing realism here:
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Jerry Bruckheimer, the film’s producer, heralded Sky Sports commentators Martin Brundle and David Croft as the true “heartbeat” of the movie — giving fans familiar voices woven into the cinematic fabric.
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Brad Pitt’s magnetism and the film’s “jaw-dropping racing sequences” were frequently cited by critics as key strengths.
In essence, they’re not just selling a movie — they’re selling F1 as an immersive entertainment universe.
The Verdict
With an 88 % Rotten Tomatoes rating, critic quotes highlighting its high voltage, and praise for its sound design, score, and lead performances, F1: The Movie arrives fully fueled. Reviews celebrate the film as a bold, stirring, and authentic cinematic interpretation of motorsport — and a blockbuster vehicle for expanding Formula 1’s fan base.
As global audiences hit cinemas next week, the film’s early triumph could shape both summer box-office charts and F1’s cultural momentum. If the buzz holds, Spielberg-in-the-pit-lane energy won’t just draw viewers—it may convert many into lifelong fans.
Stay tuned: the lights go green in theatres June 27. And after that? Expect the race for global dominance to accelerate — both on screen and on track.
